When Angela Wachuka and Wanjiru Koinange founded the Book Bunk in 2017, it was not just to rehabilitate all three Kenyan national libraries: the main one being McMillan and the two branches in Kaloleni and Makadara. It was also to advance what has been described as a “reading revolution” in Kenya.
The job of renovating all three dilapidated structures is a major task which Wachuka and Wanjiru have relished. It is by no means done, but interesting young people in reading and utilising the libraries could be an even more challenging feat.
That is why it was refreshing to see so many young people at the “Tribute to Maya Angelou” performance at the Makadara Library branch last Saturday.
Many were seated around the large reading room that had been converted into performance space by the mother-daughter team of artists, actress Mumbi Kaigwa and musician Mo Pearson.
Others relaxed on the floor right in front of the two women who had brought with them a whole lot of indigenous African instruments that the youth would get their chance to play.
Mo also brought her acoustic guitar and Mumbi brought her talent as a lover of poetry, particularly Maya Angelou’s.
The award-winning African American poet, singer, memoirist and civil rights activist died almost exactly five years ago, on May 28, 2014, at the age of 86. But because she left so much powerful poetry behind (which she often performed), her memory will never die. Not if performers like Mumbi and Mo have anything to do with it!
Mumbi performed several of Maya’s best-known poems, including As I rise, Hold fast to dreams and Phenomenal Woman, among others. And Mo sang her own original songs which were partially inspired by Maya.
How their performances fit into the Book Bunk agenda was by bringing alive words that would otherwise be left of the written page. What’s more, children in the audience were invited up to perform with the musical instruments as Mumbi dramatised Maya’s moving words.
That interactive element made their performance even more meaningful to the young teens who were the main age-group in the hall.
Mumbi ended their performance by dramatising one of Maya’s best loved poems, Hold fast to dreams. After that she opened the floor, inviting anyone to ask questions or say something in response to their show. This was when things opened up.
Initially, in typical Kenyan style, the room fell silent and nobody said a word until Valentine Omwaka Nyanje, 13, finally raised her hand, then stood and sounded like she could become Kenya’s next Maya Angelou equivalent.
The Standard Eight student from St John’s Primary School in Kaloleni did not share a poem. Instead, she shared sentiments similar to Maya’s main message, which is to believe in yourself.
She spoke about the passion inside her that was pushing her to do special things with her life. She said everyone had that kihere here and ought to listen to it and act upon it.
After she sat down, a number of kids raised their hands and took turns sharing their hopes, dreams and ambitions. Their enthusiastic remarks could have gone on all afternoon if Wanjiru Koinange had not gotten up, thanked everyone for coming and then invited them to have a delicious lunch, courtesy of the Book Bunk.
The one aspect of the event that might have been slightly better suited to an older audience was an audio-tape of Maya Angelou speaking along with a number of African American poets like Langston Hughes, the champion boxer Muhammad Ali and other civil rights activists, including James Baldwin and Martin Luther King, Jr.
Personally I enjoyed Mumbi’s tape because it was an excellent means of establishing the political and social context within which to place Maya’s life work.
One person who was delighted with both the Book Bunk’s and the Mumbi-Mo initiative was Douglas Kierieni, the retired banker and Business Daily columnist.
“This is like a dream come true for me,” he said beaming as the children got in line to eat well-cooked green grams, rice and cabbage. “I’ve been appealing in my BD column for someone to revive the libraries, and now it’s happening.”
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